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Of All the Ways to die is a book authored by Brenda Niskala, as a little ghost story that is offbeat, sweet and short. The research paper will summarize the book in terms of internal and external conflicts. Death comes to everyone despite of the possession, fortune or position in life.
Perception of reality (internal)
The internal conflict in the reality perception is seen from the conflicting settings in the book from the living world to the underworld. The story weaves the ordinary people’s lives together, teetering on the edges of hope with historical figures that are fascinating (Niskala, 4). The plot of the story shows how the author narrates her story. The author of the “Of All the Ways to Die” book takes readers into the long journeys of the underworld, the real living world of the Saskatchewan and the land of the dead.
Fear of death (internal)
Urma in the book of “Of All the Ways to Die” holds for people the pot luck. These are the people she has lost in her entire life. Every individual brings their favorite recipes, a dish and their life stories and how they used to live, and how they died (Niskala, 24). Death comes to all people, and it does not matter the lifestyle, fame and fortune that one possessed in the true life.
Human compassion (external)
-The invitation from Urma attracts attention from acquaintances, loved ones and a few faces that are famous including that of the bog mummy, a Cree grandmother, St. Antony and the prairie ship builder who is eccentric (Niskala, 24). Is there a possibility that these people can help Urma in finding Eleen, the teenager who is missing?
Critical analysis of Of All the Ways to Die
Niskala (44) attempts to show that the journey into the afterlife or death is not as easy and straightforward as people may imagine. Not only are important aspects of the dead lost along the way, there are cases where people are completely lost and unable to trace their journey into the after-life. Despite the fact that a new life awaits them, people could end up desperately lost, with the living and the dead completely unaware. This is signified through Eleen the young teenager being rescued in the novel (Niskala, 48).